First things first - if you are a Shah Rukh fan, your movie ticket is just worth for one scene where Rizvan Khan (SRK) blushes when Mandira (Kajol) says "marry me". That's vintage SRK for you....otherwise, it very very hard to see the usual SRK that his fans (including yours truly) would want to see.
Some may say that MNIK is a lift off from various movies like Forest Gump, Rain MAN and then innumberable movies with terror/love backdrop...but doesn't matter...end of the day any movie that gives hope and smile would always be a success even if its told 100 times. And MNIK is one such movie!
MNIK may be unbashedly sentimental for some - but thats how its designed...it got to be sentimental given the magnitude of difficulties faced by a certain section of people post 9/11. Rather I would suggest look at MNIK's unbiased stand and honesty.
Honestly, this movie belongs to Kajol more than SRK. Undoubtedly, SRK inspires yet again and proves his critics wrong that he can just be good as a candy-floss lover boy or be over the top villain. But Kajol brings such a freshness and I don't know one single actress who can do complete justice to this role than Kajol. Easily, her best performance till date.
Music is definitely good - but a movie like this demands someone like to ARR to take it to the next level. It could have truly become international with ARR. Wisk K-Jo & SRK find ways to mend fence with ARR if they are looking at creating yet another magic like MNIK next time around - just like how they have roped Ravi.K.Chandran as DOP.
Another thing that is worth mentioning is the dialogues and Niranjan Iyengar has done a very neat job - specially the dialogues between Rizvan and his mom.
Folks may say that K-JO has taken his role seriously this time around and I beg to differ. He for one was always serious about the movies that he makes - because I truly believe that anything done with conviction and heart always will be successful. Net-net, successful movies are the ones that takes you along its journey where it makes you laugh, smile, cry and then at times makes you think about humanity and hope. And here is MNIK, the 'k'han has arrived finally and with a bang!
Saturday, February 13, 2010
My Name is Khan
Sunday, November 30, 2008
Vaaranam Ayiram - Review
Vaaranam Ayiram evoked mixed response in me albeit I like the movie on the whole - especially for Suriya. As many have pointed out its sure the best that came from an actor in the recent times and what a transformation that Suriya goes through in each frame - a truly fantabulous performance!
As I read in one of the blogs (I think it’s brangan's) - even I'm skeptical about the movies where the hero plays the role of father & son. It’s always that only one character stands out in prominence and there are lots of examples like Nettrikan, Oru Kaithiyien Dairy, innumerable Sarath Kumar flicks & so on. And in this aspect VA is no exception! It’s an out & out Suriya's dominance (I meant the character Suriya) and there are only some specific shots that show Krishnan’s (father of Suriya) importance. One of the biggest drawbacks of the movie is that – it’s all along marketed as a movie from father’s point of view or at least that’s what I could make out from all the interviews and tit-bits that Gautham provided to the media. In contrary it’s a movie from the son’s point of view and it’s more his life episodes and the movie just touch upon how his father (Krishnan) made a difference in his life. So the expectation mismatch is one of the negatives of this movie!
Episode based approach taken by Gautham in this movie – seems to have worked brilliantly. Especially Suriya & Sameera’s love affair is a live wire for this movie. And VA can be seen for this episode alone. I read somewhere that the movie first started off with this episode alone – or rather a love story and then it got changed post Gautham’s father’s death – as Gautham wanted to pay tribute to his father via this movie. In this due course – its gives me an impression that Gautham got completely confused! But since the movie goes in as various episodes in Suriya’s life – it makes an interesting watch.
I know that Gautham drew a lot of flak for including the kidnap episode! Even though Gautham can say that why NOT an extraordinary thing can happen in an ordinary man’s life – it doesn’t fly well with viewers like me who came into watch an intense father-son movie. Again it’s to do with the way in which the expectations were set before the movie release. Had it not been projected as a wholesome movie that talks about father-son relationship – this episode could have been justifiable especially given a 100% performance by Suriya. At the same time I must say that both the kidnap episodes were taken with painful perfection!
Coming to Suriya-Sameera love affair – it’s one of the most refreshing scenes taken in Tamil cinema and it will certainly be a major crowd puller – especially the college kids. The scene where Suriya pulls off “En Iniya Pon Nilave” in his guitar is a classic – and I’m sure that it will be lapped up by all the wanna-be lover boys. When it goes Berkeley University – it’s more of a visual treat – until a point of time when Suriya breaks down in tears talking to his parents. And I second Gautham – when he said that Suriya is definitely the best actor that we have today next only to Kamal. You must watch this gut pouring his heart out!
After all the expectations set by Gautham about this movie as a one paying tribute to his late father – it would be unfair if I don’t talk about Krishan’s character in this movie – also played by Suriya. Undoubtedly, its every youngster’s dream to have such a father at home. Special mention to a scene where Krishnan sits on the floor with a peg of whisky in one hand listening to his son’s jamming session and him being the first one to sing along! It conveys so many things – and the most prominent one being the kind of pride that is seen in Suriya’s (son character) eyes and the way he is seen by his friends. Another thing that deserves a special mention is – even though Krishan falls short of money – the way in which he handles it with his head held high – a fantastic characterization!
And there are two other main pillars in this movie – music and camera. Both are simply awesome – pick of the lot is “Nenjukkul Peithidum” song!
On the whole VA is certainly a good watch and it’s to Gautham’s credit that all the negatives of this movie can be ignored if you don’t get in with the expectations set by Gautham himself. And if not for anything, go watch it for Suriya alone – this man is exemplary and he makes it work!
Sunday, July 6, 2008
Dasavatharam - My View
Sunday, April 13, 2008
U Me Aur Hum - Review
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U Me Aur Hum - A mushy romantic aimed at capturing the viewers heart.
Foreword: U Me Aur Hum is certainly not for people who looks for a logic/rational even for matters that are closer to heart.
Not to undermine Ajay's performance - this movie would have been a super-duper hit had this had SRK & Kajol. How much ever Ajay tries to pose a super-cool dude in the first half and an emotionally charged & caring husband in the second half - somewhere in the corner of my heart I was looking for SRK in this role - for he would have truly rocked - just because he fits like a T in this role. Nevertheless, its indeed a brilliant performance by Ajay as an actor.
There are very few artist who can shoulder a complete movie with an arresting performance - and here its Kajol for you! What a power packed performance!!!! Watch her when she works out forgetting the fact that she is pregnant - and then explaining hubby Ajay that she wants to get on shape! Its Kajol for you all the way and trust me you will be floored!
There is nothing to write about others in this movie - for its an out-&-out Ajay & Kajol's show. Technically the movie is just about OK - guess director Ajay would have thought the mushy romance would suffice and the viewer would not notice the technical nitty-gritty - which I should say is partially successful as well - purely because of the scintillating & honest performance by Ajay & Kajol. Dialogues are shady at times - example: "Indian men are like mice—always looking for a hole!”. It doesn't gel well given the candy-floss canvas of the movie. And TV channels can announce a contest to find out the number of drinks that Ajay had in this movie. I wonder how a doctor end up drinking like this throughout. I will not be surprised if Mr. Anbumani Ramdoss comes out with a stinker against Ajay in the next few days.
All said & done - U Me Aur Hum purely works because of the power packed performance by Kajol & Ajay. Lets wish the best for Ajay for his next venture - though he has proved that he is a good director in the making! And last but not the least - go watch U Me Aur Hum for Kajol - and trust me - you will NOT come disappointed!!!
Saturday, April 5, 2008
Yaradi Ne Mohini - Review
Yaradi Nee Mohini (YNM) - one couldn't have a better title having Nayanthara as the heroine. She is out & out ravishing in this movie.
Story wise YNM has nothing new to offer - its already a remake of a telugu movie (Adavare Mattalakku Arthale Verule) by Selvaraghavan - which by itself is a rehash of DDLJ and several other hindi movies.
After seeing some great movies from Selvaraghavan - YNM certainly comes out as a disappointment. Screenplay does look interesting in bits & pieces - but IMO it fails to impress on a whole. At the outset the movie seems to be too lengthy and at times drags a lot as well. But it will certainly appeal to the masses - as it turns out to be a clean family entertainer. Also Selva has proved that he is well versed at making commercial pot-boilers as well.
Dhanush is a clear winner in YNM. He seems to be concentrating on what will work and what will NOT work for him and he comes out with flying colors in YNM as well. One more hit added to his kitty. The role is tailor made for him - that was handled by a much older Venkatesh in Telugu version where he was a total mis-fit. Watch him imitating "Vietnam Veedu" Sivaji in "palakattu pakkathile" song. As I used to say - Dhanush is one hell of a talented act
or who can overcome his limitations (cann also be read as looks) The surprise pack of this movie is Karthik (mirchi Suchi's hubby). He was always seen as one NRI character in a couple of movies (esp alaipayuthe). In YNM, he proves that he has a strong theatrical background. IMO, he is sure to get more offers after this movie. Can well be a good supporting artist if he succeeds in choosing the right films.
There is nothing major to write about the other characters in the movie - its almost stereotyped ones including Nayan's sister character - who gets a bumper prize in the form of a duet song with Dhanush. And yes, she is good in the song - but IMO, she has a long way to become a lead material.
Technical team has done a neat job - a special mention to the cinematographer. Yvan is at his usual best - as you hear him in all Selva's movies. Special mention to "yengeyo Partha mayakkam" - a clean melody thats already a huge hit. Surprise pack is the remix song - "palakattu pakkathile" - well choreographed song!
Its very hard to pass a judgment on Jawahar - the director of YNM. Its a frame by frame remake of the telugu version but for the climax and the remix song. But all I can say is he is nowhere closer to "remake raja" - director of Jayam, M Kumaran, Something Something. Guess we will have to give him one more chance to prove his mettle - and wish he takes something that is inspired rather than copied.
All said & done, go watch YNM - for it is a clean entertainer. But ensure that you don't ask how come Dhanush is not aware of his close friend's fiancee. That's commercial cinema for you....
Wednesday, March 19, 2008
Raghuvaran is no more...
Looks like the month of February & March 2008 is a loss for Tamil Cinema. If it was Sujatha in the month of February, its now the turn of Raghuvaran in March.
Read that he is 60 years old - which is a surprise given his thin frame. But he is one great example for the younger generation - if your personal life is in shamble - no matter how great you are in the professional life - you will always be left alone even in your death bed. And imagine how pathetic it would be if you feel lonely and deserted in the death bed - the mental trauma will be much higher than the physical pain. And Raghuvaran was a living example!
May his soul rest in peace! And though it may sound cliche, its indeed a HUGE LOSS for Tamil/Telegu Cinema. He was all said & done - one of the best villains in Tamil film industry - and I could hear you guys saying "I Know - I know & I know" (puriyatha puthir)
Thursday, February 28, 2008
Writer Sujatha is No more...
The man behind EVM – and what an eventful journey even after retiring from BHEL.
His Katrathum Petrathum articles were a treat to read - given the unbiased view of the good, bad & ugly in movies, literature, music, science, politics & what not.
He was a significant contributor in all the movies that he worked so far – be it story, script or dialogue writing. His best being Kannathil Mutha mittal.
His penchant for explaining science & technology in tamil is commendable. I still remember reading an article where he explained about CD-ROMs in such a simple language around 12-13 years back and also rightly predicted the direction in which the audio/video market will move in the future and also about piracy – he was spot on!!!!
An all time romantic classic novel like “Pirivom Santhippom” – I was told that many got so inspired with the novel – that there were too many girls named as madhumitha (lead character in this novel). I will have to read that novel again - what a page turner it is...
Overall – a truly inspiring and an eventful journey came to an end – but - yes his writings will be remembered forever!!!
Tuesday, February 12, 2008
1 Minute Reviews...
Whoo haa!!! Atlast found some time to blog. Seems like ages since I got back to my hobby. Loads of things happening at the personal & professional front - and yours truly was completely swamped!!!!
And I guess the place that I have recently moved may not feed enough for the movie freak in me - and I think I will have to manage with DVDs.
So managed to see three movies in the last one month - and in that only one from the pongal released. Find below the 1 minute review.
Pirivom Santhippom
This is the only pongal release that yours truly saw - so it would be unfair to conclude that its the best of the lot - but I read in lot of articles that its the best. I somehow couldn't come to terms about Cheran being a hero - there is something that is missing. And come to talk about Sneha - VOWWWWW. She is absolutely fantastic - though I wouldn't call it her best perfomance till date. Yours truly liked the first half of the movie and the director has given a realistic touch - especially the marriage sequence & the fondness of joint family. The second half tend to drag a lot - but may be Karu Palaniappan (director) wanted to get the viewers feel the pain that Sneha undergoes - though for me personally it was a bit over kill.
And yours truly verdit - all in all decent family movie!
Kalloori
What a movie!!!!! Has all the ingredients to become a classic. You folks would read lot of reviews about this movie and comparisons to Kaadhal. To my mind, it should not be compared with Kaadhal - for a simple fact that its a different genre! The kind of meticulous shots that Balaji Shaktivel (Director) kept is truly awesome and trust me if you are movie buff - you will find so many nuances every time you see this movie.
And yours truly verdit - a must have HOME DVD!!!!
American Gangster
I felt may be my friend was correct in saying that Hollywood churns out the BEST gangster movies. American Gangster is truly a work of genius. Guess the likes of Ram Gopal Varmas, Gautham Menons would take an inspiration in the days to come.
And yours truly verdit - a good Sunday noon watch!!!!
Monday, December 31, 2007
Top 5 Movies of 2007
After seeing too many top 5s & top 10s, I thought its my turn to rate the "My Top 5 Movies of 2007". This is purely based on the movies that I watched in the year 2007 and I must say it was a tough call to make the top 5. What an year it was and here you go...
- Taare Zameen Par - An out of the world movie experience. Hats off to Aamir, Amol & Darsheel.
- Guru - Who else can make a bio-pic as interesting as Mani Sir could do in the Indian film industry.
- Mozhi - A movie that told the outside world that even Tamil film industry can stand up to the likes of Munnabhai's.
- Chak De India - An inspiring movie that proved the world that Shahrukh Khan is NOT all about stammering & lover boy. Given a chance King Khan will never miss an opportunity to ROCK!
- Om Shanti Om & Sivaji for their "no-nonsense-only-pure-entertainment" value.
And here is wishing you all a very happy, safe & prosperous new year!!!
Billa 2007 - I'm tired of walking!!!
I should have stopped with Taare Zameen Par - as the last movie of this year. But the relentless movie freak in me pushed me to see Billa 2007.
If you look at the movies that I have seen this year (all have been reviewed in this blog), Billa comes right down the list in the last position. I'm not going to write more about Billa.
To sum it up - Billa walks & walks & walks - making the viewers to feel as if they came into the theatre in a sleep walking mode.
Friday, December 28, 2007
Taare Zameen Par - Review
IMHO (In My Humble Opinion) TZP is the BEST film to be released in 2007 and it will take years together for anyone to move it out of the top 5 films of Hindi Cinema.
The movie is about a Ishaan Awasthi (Darsheel Safary) with dyslexic disorder and how he manages to overcome the disorder with the help of his teacher Ram Shankar Nikumbh (Aamir Khan). At the outset, it may look like a regular “under dog-overcoming-the-obstacles” kind of a movie. But what makes it stand out and shine is the way in which the script (by Amole Gupte) is treated by the director (Aamir Khan) – and I must say that both Amol and Aamir are the pillars of this movie. It’s not easy for anyone to come up like a script like this – and it’s not an everyday affair where a director can make full justice to the script. And by doing this, the clear winner is the producer (Aamir again) – where his name will certainly be in the history of cinema for having un-doubted faith in such a script and producing a classic. And Taare Zameen Par will surely tell the world loud and clear that Indian Cinema can compete with world classics that come from countries like Italy, Iran, China & Korea.
Darsheel Safary as Ishaan Awasthi will find his place in the ”top 10 performers” of Indian Cinema (mind you I’m not even considering him as a child actor). Only very few actors can shoulder a complete movie and Darsheel is a “blessed” & “gifted” actor who got this opportunity at such a young age. It’s been such a long time that I saw such an out-of-world performance and believe me, he is a genius and child prodigy. The only other child actor who can come a bit closer is Shamli for performing the mentally retarded child in Anjali. And I have no doubts that Aamir had given his heart & soul to get this soul-stirring performance from Darhseel. And here I must mention the camera work by Setu – he is remarkable in capturing even the minute expression from the gifted-boy Darsheel. Though I don’t have a dyslexic disorder, I saw myself in Ishaan in many shots – and that’s the true victory of this script. And I guess it’s true with everyone who watched TZP – the script will easily make you related to the world of Ishaan.
Aamir Khan as an actor only finishes last – for he is beaten hollow by the director & producer. Aamir as Ram Shankar Nikumbh is awesome – but honestly speaking this is a role tailor made for SRK and there were a few scenes I could see SRK in Aamir (especially the one where he talks about various personalities having dyslexic disorder).
Tisca Chopra (Mrs. Awasthi) as Ishaan’s mother is outstanding. Watch out the climax where she comes to know that Ishaan is indeed doing well and she has just lived that character. It is an extremely honest performance and it will not be possible unless you relate to the child honestly!!!!
IMHO, the only sore thumb is in the way in which Mr. Awasthi’s (Vipin Sharma) character is presented. Vipin seems to have overacted a bit in certain shots and I wish we could have had a much better performance – for this is a character that will make an impact in the minds of parents.
Otherwise, the other characters in the movies are very realistic (the principal, teachers, Ishaans elder brother, Ishaans desk mate in the boarding school) and have done complete justice to the script.
Even if you haven’t watched movies for years together, I would strongly recommend watching TZP – for it will definitely provide a different perspective towards kids and their lives. I could see that so evident in the theatre where almost everyone stood in the theatre till end credits rolled out completely and I could see most of the people going out of the theatre moist-eye, kissing & hugging their kids.
And finally to Aamir Khan:
Yours truly is “yet-to-become-a-parent” – and this movie will be in my mind forever as a reference when I bring up my kid. I owe you a lot for coming up with such a classic and I’m sure the same will be the case with others who watched Taare Zameen Par! Keep up the good work and get ready for the awards & adulations that will shower on you & Darsheel Safary in 2008.
Saturday, December 8, 2007
Evano Oruvan - Review
At the outset it may look like a usual story – where the protagonist takes into violence to cleanse the system. But if you get into the detail you will find that it’s not in the league of films like Gentleman, Anniyan or Ramana. That is the plus and minus of Evano Oruvan from a commercial success point of view. Most people might tend to put this into the Anniyan kind of movies and outright reject it. And there can other section of crowd that may understand that it deals with the emotional side of an individual and appreciate the movie and even call it a classic. And "yours truly" certainly belongs to the latter crowd.
The movie is about an individual (or should I call it “You”) who leads a mechanical life and is frustrated about the system – where anything and everything is tied to money. Though all of us would have undergone one such humiliation or frustration – we don’t end up taking it too personally – rather try to put up with the system and keep moving forward with some “hope”. Sridhar Vasudevan is also one such individual – but the continuous push from the system makes him “out-of-mind” – where in from the state of having just unanswered questions in mind – he moves to a state where he vents out his anger. Imagine if all of us get into such a state of mind!!! As the movie progresses – you too get engrossed into the emotional journey of Sridhar Vasudevan. In specific watch out for the emotional out burst of Sridhar Vasudevan in the middle of the night – where he talks about the greediness and why majority of the people are willing to go against the rulebook – or rather why very few individuals tend to go by the rulebook – there by alienated from the society and seen as jokers. Nishikanth Kamath (Director) made a smart move by having the police officer (Seeman) character as general public’s conscience – by making him go through the pain & agony of Sridhar Vasudevan. What makes this movie a classic is that by the end of the movie the police officer kills Sridhar Vasudevan in an encounter attack and then comes to know that the pistol carried by Sridhar Vasudevan didn’t even have a single bullet – thereby making a strong statement that society will always try to curb the ones who asks fundamental questions and fight for ones fundamental right – even though he/she didn’t intend to do anything wrong!!!!
Madhavan as Sridhar Vasudevan has given a fantastic performance and he is surely one of the actors who could make you cry. Watch out the scene where Sridhar Vasudevan calls his wife (Sangeetha as Vatsala). And you have to give it to Sangeetha – all I could say is Tamil cinema has missed out to capitalize on her talents. If she was a revelation in Pitha magan – she has n
ow proved that it’s not a flash in the pan.Seeman as the police officer is not too convincing. There are far more actors who could have done a great job in this role.
And the key thing to mention here are the dialogues. It’s mind-blowing and I was really surprised to see Madhavan has the dialogue writer – with supervision from Seeman. It’s simple yet powerful.
Nishikanth Kamath is the director of the movie – who did Dombilivi Fast (the original) in Marathi. A special thanks to him – for providing one of the best movies in Tamil Cinema. And hats off for his guts to make a movie without even a single song or comedy track or any other masala items – and yet making it very short and racy.
Evano Oruvan will certainly be a milestone in Tamil cinema and let’s give a warm welcome to Madhavan for getting into the league where we have the likes of Balachandar, Kamal Hassan, Prakash Raj, Bala, Radha Mohan, Ram (Katrathu Tamizh).
Sunday, November 18, 2007
Polladhavan - Review
Polladhavan’s story line is no different from the movies like Dhil, Krieedom, Malaikottai and so on. Its about a guy who lands up in a freaky encounter with the villain and how he ends up running around and towards the ends run behind the villain group – and kills them violently.
And yes, our hero will also have a love interest – so that the viewers can see some catchy duets.
So is Polladhavan yet another run of the mill movie? I wouldn’t say so – the reason being the way in which the movie is taken with some truly great shots. The screenplay is fantastic and director vetrimaran seems to have taken enough precaution about how Dhanush should be shown. Had he not taken this caution, Polladhavan could have well become a disaster like Sullan.
It’s good to see Dhanush pick up movies that will work for him. One only wishes that he had taken this maturity 2-3 years back – in which case we would have all seen him doing movies like Kaadhal. And looks like he had taken serious note about the comments passed on his body type – he seems to have put on some weight and by the looks of it he will get into a six-pack shape by his next movie. As usual his acting in Polladhavan is mind-blowing and has proven again that if given a good script, he can shoulder a full movie with ease.
Divya (erstwhile Kuthu Ramya) doesn’t have anything major to do – but looks stunning in the song sequence (especially Nenjodu song).
Murali has Dhanush father is A class. Karunas and Santham do the usual job of hero’s friends.
One wishes that the director could have avoided the stereo-type north madras based villains. It looks too repetitive.
Though the songs are catchy – it certainly acts as an obstacle – for the otherwise racy movie.
Though Polladhavan does have it share of clichés (like North Madras Villains, usual love interest and songs), watch it for Dhanush and the novel script written by debutant director Vettrimaran!
Om Shanti Om - Review
Watch OSO and get a reconfirmation that Shahrukh Khan is the most clever and shrewd film-maker in India. Its very rare to see someone who is touted as the super-star of Indian Cinema taking up a re-incarnation based story (that is beaten up to death now) and promote as such it’s the best ever movie made in the last 2 decades. After watching the movie, I feel such a promotion is indeed required for this movie – and King Khan has done a very calculative move in terms of promotion.
OSO is a very ordinary movie and if not for King Khan, it would have been a disaster and got back into the cans within a few days run. But King Khan does an impossible act and then support it with never-seen movie promotion by having OSO events all over the place. As he rightly pointed out the only thing he didn’t do is write Om Shanti Om in his forehead.
But when you sit in the theatre and watch OSO – never have me found even a single scene as boring. Ofcourse, you have to keep away from logical thinking for 2.45 hours and what you get by doing this is – you get entertained royally. You have mushy romance, comedy, sentiment, over-acting by Khan, feel good one liners (like sachhi – muchhii) and above all get to see all your favorite stars in a song – that is choreographed in a fantastic manner.
I’m not even going to talk about the story. What is interesting is the backdrop in which the story is told and get into some risky areas by mocking at others in the film industry - and King Khan excel in laughing at himself – which I guess he and his close friend Karan has mastered (laughing at yourself)
Deepika Padukone (as Shanti Priya) is looking awesome and she doesn’t have anything major in the movie. She has all it takes to give a tough fight with the current crop of bollywood actress. Guess a south Indian has finally arrived to take up the legacy of Sridevi.
Farah Khan has proved that she has everything to become a sooper-duper masala movie maker and she doesn’t seems to have put a false face by saying she is here to make a different movie. OSO is a movie that you can watch and come out with a smiling face – as the movie does have “Happpys-endings” – and be rest assured that picture baki nahin hai!!! And yes don’t miss the end credits – one of the most innovative credit rolls seen in Indian cinema!!!
Monday, October 8, 2007
Katrathu Tamizh - Review
Was waiting for this movie since its preview in Anandha Vikatan a few months ago (earlier known as Tamil M.A). I kind of have a mixed feeling about this movie.
Katrathu Tamizh will certainly find its place in the top 50 movie list since the origin of Tamil film industry. Please note that this is certainly NOT an exaggeration by any means – watch it to believe it – though I don’t necessarily agree with certain views in the movie.
Getting into the details right away – Katrathu Tamizh is about a Tamil teacher earning hardly 2000 rupees per month – finding difficult to cope with loneliness especially living in a city like Chennai – trying to find out his lost love – unable to withstand the societal imbalance created largely by IT industry – therefore becoming a psychopath. Yes, you are right – this is freaking complicated!!! But what blew me away is the way in which this script is handled by the debutant director Ram (from Balumahendra’s school). The entire movie is told in the way of a first person narrative – first few scenes through Jeeva’s voice over and then through the camera of Karunas – who is apparently hired or rather forced by Prabhakar (Jeeva) to shoot his testimony.
When the movie ends, you cannot help but feel that the director is confused in terms of finding out a reason to establish the psychopath character – especially why compare a Tamil teacher’s salary with that of a IT guy. But if you really think through this, there are number of people living in this city doing a variety of jobs to ensure that they are able to meet the ends every month. And given the luxurious life led by the IT folks – it’s quite natural that there will be a sense of frustration, dis-satisfaction that may creep in for the otherwise unfortunate souls. May be that is the reason for the increasing number of kidnap cases registered in the last one year in cities like Delhi and Hyderabad. You must watch the shot where Prabhakar meets his ex-roommate who is currently working for an IT company earning around 2 lakhs – also where he bumps into a call centre employee earning 40K per month. At the outset it may look like it’s an over-kill of ranting against IT industry. But when you try to get into the details, I feel it’s indeed true that IT has created a wide gap between the “haves” and “have-nots”. 10 years back, it’s only in dream that a middle class family may want to own a flat and a car. But that’s certainly not true today – where in thousands of middle class family became fortunate enough to see their dream coming true – just because a kid from their family got into the IT industry. But there are still people who get almost the same salary (even after inflation) - if I were to tell in the way BOSS said, “rich is getting richer and poor is getting poorer”. And this story is about one such guy who is frustrated because of not being able to withstand this gap – fuelled by other factors like loneliness, lost love and being insulted for being a Tamil teacher on a day to day basis. So I finally concluded that the director’s characterization of Prabhakar and the reasoning to be fair enough.
Jeeva (as Prabhakar), I guess is a director’s delight. He gives a top-notch performance in this movie and has proved that he can shoulder a complete movie given a taut script. He has quietly surrendered himself to the director and got Prabhakar’s soul into his body. And what you see is a power-packed performance! And what is more interesting is, Jeeva has found a knack of figuring out what kind of roles will suit him and his selection so far has been almost flawless (discount his first two movies).
Anjali (as Anandhi) is probably the find of the year! But I’m afraid that the current Tamil industry would spoil her as well – look at what happened to Priya mani in Malaikottai after a stunning performance in Paruthiveeran!
Karunas (TV cameraman) is the one who makes you laugh at regular intervals – otherwise a movie like this would certainly not have many takers.
Cameraman Kathir rocks!!! Especially in the shot where the junior Prabhakar and junior Anjali gets into the hill-top - truly awesome!!!
Music certainly deserves a mention. Yuvan is as good as his father when it comes to background score – and especially identifying the scenes where he needs to keep it simple – as in no music. He has mastered the art!
And the movie certainly belongs to the director. He seems like a veteran throughout the movie and way in which he has tried to provide explanation for each and every action of the protagonist – that too in a first person narrative mode is commendable. Though I still have some reservations for some his views, he is a director to be watched out in the future. To my mind, another Bala is in the making!
A disturbing movie made in a classic way. If you don’t like serious cinemas, I wouldn’t recommend Katrathu Thamizh. Nejamma than solren!!!
Thursday, August 23, 2007
Chak De India
After reading the “All Positive” reviews of Chake De India, I went into the theatre amidst a great hype about the movie. I guess many reviews have said almost everything about the story, sub-plots and various other good things about the movie. I don’t intend to repeat the same and if you find something repetitive – the fault is not mine – after-all the movie is too good.
Once I came out of the cinema hall, I felt no one other than King Khan could have done so much justice to this movie or rather I should say to the character of a deplored hokey player (unfortunate to have born as a Muslim) and a fantastic coach who took the challenge of getting together a bunch of women hockey players and make them win a world cup for India. That’s chake de India for you.
While Lagaan, Chennai 600028, Iqbal were all movies of sports genre – the am-junta could really connect to those movies because it was Cricket – which is all said and done a religion in India. It needs real guts to make a Chak de India with hockey as a background and that too focusing on women’s hockey is something that could have failed miserably – but for tight script and taut execution of the same. Kudos to Yashraj and Shimit Amin, the real captain of Chak De India!
We all would have seen King Khan portraying the roles of villain, hero, guest appearance with his trade- mark stammering and flamboyance. It needs real guts to show King Khan as loser from scene one – that too grim faced, serious looking eyes and pre/hockey-occupied mind through out the movie. And I was totally stumped by the way he fits into this role of Kabir Khan. Where were you Mr. Sharukh all these days? The last time I saw you were in Swades, I guess. National awards committee can surely not neglect this performance. Hats off to Yashraj and Shimit Amin, the real coach of Sharukh Khan!!
Girls in Indian cinema are portrayed as glamour dolls, weeping wife/mother/sister, witches, feminists, social activists and so on. It needs guts NOT have a leading lady in a movie and that too having King Khan call sheets. It needs guts to get a bunch of new faces (or almost new faces) and get them to act in a sports movie and that too play hockey and win a world cup. Fantastic job done by Shimit Amin!!!
All in all, it’s a must watch and I wouldn’t recommend a DVD for this movie. You need to see it in bigger screen – isn’t it a great fun to watch a sports match amongst a cheering crowd rather than sitting alone in front of the TV? Don’t miss the fun and I bet, when you come out of the theatre you will have a sense of pride that Indian movies have truly arrived in the world space!!!!
Wednesday, July 25, 2007
Kreedom - Review
WARNING: DO NOT GET CONNED BY AJITH INTRODUCTORY SCENE - you may even end up walking out of the theatre by this first scene thinking that it will be yet another mindless flick like Anjaneya or Alwar. Patience most of the time would be rewarding. And Kreedom's first scene (Ajit's fight seq) is a classic example.
Kreedom also clearly indicates that Ajith does have the potential and charisma to make it big - the only thing is he needs to choose scripts like that of kreedom and not get into a self-indulgent mode like that of Alwar or Anjaneya.
Ajith ROCKS in kreedom and there a couple of noteworthy performance that will make you sit up and watch this man - just before interval scene and the climax where he cries out. All this man needs is to submit himself to a good director and not worry about punch dialogies (can also be read as Vijay bitching dialogues) - he can go places and can compete with the likes of Vikhram.
If Rajkiran was a reveletion in Thavamai Thavamirunthu - with kreedom he has joined the league of some of the greatest character artists in Tamil cinema - like Rangarao, Sivaji, Nagesh, Subbiah and so on. Rajkiran is the real hero of this movie and though I'm sure he would surely be a contender for a National award - I only wish that he gets it this time around. Ideally this man should have got the national award for Thavamai Thavamirunthu. What a performance!!!!
Though Trisha's role is insignificant - she is definitely watchable and she looks ravishing in Akkam Pakkam song. Watch out!
Looks like Saranya has become the ONE AND ONLY choice for doing the role of a mother. Her performance is as usual great.
Vivek's comedy is a big let down - though in my opinion in a movie like Kreedom he cannot do much. "Vairam Pancha Kattai" is a typical Vivet comedy and it was well echoed in the theatre as well. Santhaman and Sathyan are the other comedians in Kreedom - and well there is nothing much to say about their role - except that they come as tailor made Hero's friends.
I was told that the villain is a new comer - well all I can say is you can see him in similar roles in future. One more villain added to the already impressive list of Kollywood Villains. Director Vijay needs a special mention here for this character selection.
Music is by G.V Prakash. To sum it up - background music is awesome and songs could have been much better - though I liked the father-son son.
Vijay is the director and apparently Kreedom is the first movie. If my prediction goes right, he would soon become a more sought-after director in the coming days. Has a great potential - especially the way in which the Ajith introductory fight is picturised. At first it will look like there are lot of logic flaws in the introduction scene and you may also feel that you are watching a movie directed by an amateur director. But the scenes that gets unfolded after that is fantastic and more than anything else it is realistic. The only thing that Vijay should be wary of is NOT to fall in trap of star power and rely more on story and screenplay - just like what he did in Kreedom.
Over all Kreedom is a good movie - more realistic & mature - and if you have Ajith in this kind of a movie - what else do you need. I only wish that Ajith learns from this success and never ever attempt to do another crap like Alwar or Anjaneya or Jana. If that becomes true, I'm sure this Kreedom will NOT be his last crown and there will be more to follow in the future.
Tuesday, July 3, 2007
AAradhe NaaviNAAL Sutta Vadu
Not sure whether you folks read the "so-called" review of Sivaji - The BOSS by Ms. Anuradha Sengupta of CNN-IBN. In a nut-shell she declared Sivaji is the Boss of Crap (I could hear people shouting Ading.....). She also termed the record crowd that thronged the theatres all over the world as "pigs" - without even understanding the context in which THE BOSS uttered the punch line.
And now comes the amazing point and the real power of THE BOSS. Within a couple of hours, there were 965 comments logged in for this post. Anuradha Sengupta wouldn't have imagined this even in her wildest dream. Find below a couple of comments that I found as be-fitting response to the absurd review posted by Anuradha Sengupta.
This one is from Mr. Praveen.
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There is a very simple way to find out who can inlfuence whom. Though there have been a lot of people expressing angst at what has been written by Ms. Anuradha, I would put it down to sheer desperation for publicity that has prompted her to be extremely violent in her blog. The fact is that by doing such things, Ms. Anuradha will not even get that many hate mails as probably Rajini will get love mails for the movie. Also the other thing is that if Ms. Anuradha is indicating that millions of people are pigs, then it is in absolute bad taste to be telling that. Which therefore also gives us the right to call her by any animal's name we wish to and I would think that jackass would be the right terminology. Everything has a purpose and the purpose of particularly these kind of movies are just to entertain. Trying to make any intellectual sense of it is only a waste of energy. The other thing that also happens is that such blogs fan the geographical divide to greater heights with people on other side taking stances. So directly IBNlive is becoming responsible for creating these rifts. Please try and avoid such blogs which have no purpose, no meaning, are so self centered and try to prove that the author's are more human and intellectual than anyone else.
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This one is from Prashanth
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Absolutely disgusting review.How could u review a movie without understanding a word of it?Seems like a review from a deluded and deranged person.There are two ways to earn fame:By working hard or by defaming someone who is famous.Well done! U have earned it by latter means.Mind you,U cant just scribble something just for the heck of it.The 3 hrs I have spent on watching sivaji was far more enjoyable than the 10 minutes I took to read ur review and write this comment.What a waste of precious time reading your Blog!
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This one is from Vignesh - and it is really mind blowing...
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The two wheeler and four wheeler parking Collection for this crap moive has crossed the total Box office collection of Jhoom barabar Jhoom.
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This one is from Krish
You have taken Blog Writting to a different level, is this a shameful attempt to gain publicity by cursing the movie?Agreed, the movie wasn't the best we have ever seen, but still it deserves credit for the technical brilliance and hard work put in by the crew.You would do better to stay away from writing abt movies for some years..if u call this CRAP..i wud call ur blog the WORST EVER PUBLISHED ARTICLE on the internet.may be CNN-IBN deserves the credit for having u on board.
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And this is the BEST ONE
looks like you did'nt manage to get an interview from him... lol.
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PS: The comments are put in as it appears in the blog...
Friday, June 15, 2007
Sivaji - Review
Before it “cools” down – thought of writing a few lines about Sivaji. First of all, the movie is true to the punch dialogue “Pera Kettala Chumma Athiruthu Ella”.
Only a Rajni movie can command such a crowd and I was stunned to see the crowd today morning at Sathyam Cinemas – supposedly an up-market multiplex. People just went to their child-hood days by shouting slogans and that too the crowd was mix of youth and family audience (that too on a first day show). Celebration ALL the way.
Guess most of you would have already read the reviews in various sites – so just to put things in perspective – yes, the first half tends to be a bit sluggish. But IMHO (in my humble opinion) Shankar would have felt that this could have been the only way through which you can have a thoroughly “Rajni-packed” movie in the second half. So if you are a big-time fan of Rajni and if you are unfortunate to see the movie yet, don’t get perturbed by the first half movie reviews. You may tend to agree with me if you see the movie. You need to see the difference of Rajni turning into a Lion’s way in the second half and hence the director had to establish the ground for the same – eventually focusing on Rajni getting his hand dirty in the corrupt system and entertain the audience with Rajni-Vivek comedy. And this is certainly NOT disappointing and Vivek needs a special mention – he SIMPLY ROCKS. Watch out for the punch dialogues that he puts forth on behalf of Rajni.
Suman as Adiseshan is a revelation in Sivaji and he definitely stands up to the stature of Rajni – where he needs to out-smart him and make Rajni vulnerable in front of the corrupt system. The second innings for Suman has taken a jump start with Sivaji and he is sure to go places.
And there is already news that Shreya Saran is paired up with next-gen stars like Vijay and Ajit – and she has strongly made a bid for the Heroine number ONE in Tamil cinema through Sivaji. Shreya Saran as Tamil Selvi looks ravishing and she is out of the world in the song sequences. And the credit should definitely go to Shankar – the man who can show wonders in the screen.
All the other supporting characters like Raghuvaran, Uma Padmanabhan, Patti Manram Raja, Saloman Pappyya, Manivannan, Vadivukkurasi have done a neat job – though the scope is VERY MINIMAL.
Now I guess you would be wondering that I haven’t said anything about THE BOSS.
BOSS comes to the limelight only towards the end of first half and thereafter the movie is completely shouldered and taken at a brisk pace by THE BOSS. And it takes a gigantic leap when Sivaji transforms to MGR. The lion takes a lonely charge against the corrupt system (Singam single’ah vandhu ore kalakkal than). I don’t want to get into the details – otherwise it would spoil the fun of watching THE BOSS. An actor in Rajni comes to the fore-front when he imitates MGR, Sivaji and Kamal - especially when there are hordes of people who earn their bread and butter by imitating Rajni style – you should see our man donning the roles of the legends.
Today I saw a Rajni movie made by Shankar and I guess will go in for the second time to watch the Shankar movie acted by Rajni. Shankar has created a new benchmark in this movie and I will write more on his direction and other areas like music, camera & dialogues when I’m done with the second time (Shankar movie acted by Rajni).
On the whole Sivaji reflects the real Rajni. If we consider his minor political stints and other good things that he tried to do in the last couple of things like interlinking of rivers and so on as a FIRST HALF movie – where he actually had to bite the dust owing to the prevailing system – the expectation from the people (especially the ardent fans) is that he needs to turn into a LION in the coming years where he can actually help cleansing the system in real life – and if that happens I’m sure it will be even more ROCKING than the actual second half of Sivaji – THE BOSS. Will Rajni lend his ears?
Monday, June 4, 2007
Its been ages...
Its been ages since I went to a theatre...I guess the last time I had this long a gap is when I was in +2. Guess it was around 8 months at that point...
Anyways I was able to catch up on a couple of movies via DVD. Saw City of God (CoG) and My Best Friends Wedding.
CoG is a brazilian film - guess Selvaraghavan got thoroughly inspired by this movie - lots of scenes from Pudupettai have striking resemblence to this movie. Its about kids getting into crime - with a taut screenplay. One of the best made movies on crime. If you hate seeing violence in movies - suggesst you keep away from this movie - for it has an attrocious number of gun shots!!!
My Best Friend Wedding is a romantic comedy - with Julia akka in the lead role. This movie is for the ardent fans of Julia Akka (and this includes yours truly). An out and out JR movie.
Oh yes, I attempted to see Cinema Paradisco - an Italian movie - but in vain. Honestly speaking, couldn't manage the first 10 mins of the movie - may be it had to do with my frame of mind when I started. Apparently this one is amongst the classics. Will try to catch up sometimes later and keep you posted.
Waiting for Sivaji - The BOSS. Pera Kettala chumma athiruthu ella!!!!
